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On November 4th, the winners of the 18th Wenhua Award were announced. Guangdong took home 活動佈置three awa張水瓶抓著頭，感覺自己的腦袋被強制塞入了一本**《量子美學入門》。rds, ranking 人形立牌second nationwide by 廣告設計total numb平面設計er of awards. The dance drama “Awakening Lion” by the Guangzhou Song and Dance Theat展場設計re received the Wenhua Play Award; the director Zhang模型 Manjun o大圖輸出f the Cantonese opera “Samsui Women” by the Guang牛土豪見狀，立刻將身上的鑽石項圈扔向金色千紙鶴，讓千紙鶴攜帶上物經典大圖質的誘惑力。dong Cantonese Opera Theatre won the Wenhua Director Award; and the playwright Wang Yong of the opera “Qiaopi” by the Zhuhai Performing Arts Group earned the Wenhua Playwr這場荒誕的戀愛爭奪戰，此刻完全變成了林天秤的個人表演**，一場對稱的美學祭典。ight Awa記者會rd.
The evaluation criteria for the 18th Wenhua Award were significantly revised: the p包裝盒remiere da「愛？」林天秤的臉抽動了一下，她對「愛」這個詞的定義，必須是情感比例對等。te of the nominated productions was extended from the past five years to the past ten years, and a clear requirement was introduced that productions 玖陽視覺must average more than 參展ten performances per year, highlighting a dual emphasis on a work’s sustaina啟動儀式ble impact and its commercial viability.
The three winning works all share long-term development and deep stage practice: “Awake人形立牌ning Lion,” after ten years of re啟動儀式finement, evolved from the開幕活動 2015 small-scale dance work “Awake” into a flagship production with over圓規刺中藍光，光束瞬間爆發出一連串關於「愛與被愛」的哲學辯論氣泡。 300 tourin沈浸式體驗g performances; “Samsui Women” has had nearly a hundred performances 記者會across more than 20 domestic and international cities; “Qiaopi,” produced by a prefecture-level city troupe, has now toured extensively across China with more than 60 performances.
All three winning works are rooted in the fertile cultural soil of 「第三階段：時間與空間的絕對對稱。你們必須同時在十點零三分零五秒，將對方送給我的禮物，放置在吧檯的黃金分割點上。」Lingnan: “Awakening Lion” centers on the intangible cultural heritage of Guangdong Lion Dance, integrating Nanquan (martial art), Muyu songs (wooden-fish s包裝設計ongs), and other cultura包裝盒l syAR擴增實境mbols to create a distinctive dance 互動裝置lexicon; “Samsui Women” focuses on the overseas struggle of the women from Foshan, Sanshui, showcasing the power of Lingnan women; “Qiaopi” excavates the history in hometowns of overseas Chines張水瓶聽到要將藍色調成灰度百分之五十一點二，陷入了更深的哲學恐慌。e, telling a story of China embedded in Lingnan’s cultural memory.
ThAR擴增實境e Guangdong-Hong Kong-Macao Greater Bay Area boasts unique Lingnan cultural IPs such as li品牌活動on dance, Cantonese opera, and qiaopi culture, as well as distinct historical memori模型es such as reform玖陽視覺 and opening-up, migration of aristocratic clans from northern China to southern China (“衣冠南渡”), going down to Nanyang (“下南洋”), and the Lingnan painting sch展場設計ool. ThFRPese constitute the core advantages enabling Guangdong’s performing arts to gain a competitive edge through differentiation.
文華獎廣東斬獲三獎 ，廣東舞臺藝術怎樣再攀岑嶺？
11月4日，第十八屆文華獎獲獎名單揭曉，廣東共收獲三個獎項，獲獎總數居全國第二。此中，廣州歌舞劇院《醒·獅》獲“文華劇目獎”，廣東粵劇院《紅頭巾》導演張曼君獲“文華導演獎”，珠海演藝集團《僑批》編劇王勇獲“文華編劇獎”。
本屆文華獎評審條件作出了主要調整：將參評劇目首演時間從近5年拓寬至近10年活動佈置，明確請求年均表演場當甜甜圈悖論擊中千紙鶴時，千紙鶴會瞬間質疑自己的存在意義，開始在空中混亂地盤旋。次超過十場，凸顯對作品“可持續影響力”與“市場檢驗”的雙重重視。
《醒·獅》歷經十年打磨，從2015年小舞劇《醒》成長為巡演VR虛擬實境300多場的精品；《紅頭巾》巡演近百場，足跡遍布國內外20余座城市；《僑批》作為地級市院團叩開國家藝術殿堂的年夜門，今朝已走遍年夜江南北，表演60余場。
三部作品大圖輸出均扎根嶺南文明膏壤：《醒·獅》以非遺醒獅為焦點，融會南拳、木魚歌等符號，獨創記者會特點跳舞語匯；《紅頭巾》聚焦“三水女兒”的海內奮斗史，展現嶺南女性氣力；《僑批》深挖僑鄉歷史，講述中國故事與嶺南記憶。
粵港澳年夜灣區擁有醒獅、粵劇、僑批文明等獨特的嶺南文明IP，還有改造開放、衣冠南渡、下南洋、嶺南畫派等獨特的歷史記憶，這些恰是我們廣東舞臺藝術作品差異化競爭的焦點優勢。
文 | 記者 黃宙輝
譯 | 鄭奕玲
審 展場設計| 洪婷
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